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Monday, March 28, 2011

Images of Hindhu Gods and Godesses


LORD GANESHA
SRI HANUMAN
SARASWATHY DEVI
GODESS DURGA

Devotional Pictures

LORD GANESH
LORD HANUMAN
LORD SHIVA and DEVI PARVATHY
GODESS DURGA

Images of Hindhu Gods and Godesses



GODESS DURGA

SHIVA AND SAKTHI

DEVI DURGA

LORD KRISHNA IMAGES






LORD KRISHNA IMAGES

Sunday, March 27, 2011

Kanyakumari Devi Temple




Devi Kanya Kumari


Kanyakumari was once referred to as the Alexandria of the east. This place has been a great center for art, culture, civilization, and pilgrimage for years. It was also a famous center for commerce and trade. During the early part of the eighth century AD Islam entered the southern part of India through the sea route with traders and missionaries. Through St. Thomas, one of the twelve Apostles of Christ, Christianity arrived in this area in AD 52. Islam, Christianity and Jainism have greatly contributed to the architectural wealth and literary heritage of this place. Kanyakumari was also under the control of the Cholas, the Cheras, the Pandyas and the Nayaks who were great rulers of south India. The architectural beauty of the temples is the work of these rulers.


Legend has it that Kanya Devi, an avatar of Goddess Parvati, was to wed Lord Shiva, the destroyer in the Hindu trinity. But he did not turn up at the auspicious time and the wedding never took place. The rice and cereals meant for the marriage remained uncooked. Even today, one can buy stones there that look exactly like rice and cereals. Local folks believe that they are the leftovers of the legendary marriage that could not be solemnized. As for the princess Kanya Devi, she became a virgin godess.


The main entrance to the temple is through the northern gate though the deity is facing east. The eastern entrance is kept closed except on special occasions when the diety is taken out for the ceremonial bath. There are two rocks emerging out of the ocean, located southeast of the Kumari Amman temple. One among these is Sri Padaparai, where the footprints of the virgin goddess are believed to be imprinted on this rock. The idol of the goddess at Kanyakumari Temple Tamil Nadu has a rosary in one hand and is said to have been installed by Parasurama. Three corridors surround the sanctum. The outer corridor has no special shrines, but after a walk round it the devotees cross the 'Navarathiri mandapam' and a pathway leads to the second corridor encircling the shrine. There stands the flag mast or 'Kodisthambam'. From here you can have a clear view of the Goddess. A move further forward will take you in front of the sanctum. The shrines of Vinaygar and Thiagasundary are located in the inner corridor and most of the devotees visit these shrines after offering prayers to the goddess.


The main festivals are held in the Tamil month of Vaikasi (May/June) and the Navarathri festival in September/October. The temple is open to the public from 4.30 AM to 11.45 AM and 5.30 PM to 8.45 PM. Male worshippers are required to remove their shirts before entering the temple.


It is an eminent belief that the diamond nose-ring of the deity is so shiny that it is visible even from the sea.

Saturday, March 26, 2011

Mambala Madam


“Mambala Madam”-The Kudumbakshetram of Mambala Family


Mambala Family is one of the prestigious Nair Families in Cherthala,Alappuzha. With around 25 sub families and around 500 members its roots are sperad all over Kerala and outside also.I am very proud to be a part of this great family. All the virtues we have has been obtained from the “AZHVANCHERI MANA” (a traditional Brahmin Illam situated at Malappuram). Mambala Madam is considered as the Holy abode of our “Paradevatha”. “Bhootakala Nagayakshi” and "Nagaraja" is considered as the Paradevatha or Family God and “Arukula Swami” is considered as the Divine Protector or “Adhikari” of our temple.There are also pratishtas of Vetali, Gandharva, Chamundi Devi, Brahma Rakshas and sevaral Naga pratishtas like ParaNagam, Anjilamani Nagam etc in the temple premise.The pratishtas of Ganpathi and Sashtavu are present inside a special Sanctum protected inside a seperate compound wall. The pratishta of Navagraha which is found very rarely is another speciality of our temple. The “Ara” inside our Madam is believed to be having the divine presence of Devi from Varanad Temple who come to visit our Madam.There is also the Holy Salagram inside our Ara which is also rarely found in other temples and Ganpati homam is offered with this Salagram.

The Nadas will open only on special occassions like first of every Malayalam month for Sankrama pooja, during vrishchika vritam daily offerings of Ganpati homam other poojas and bajan etc. During the Navaratri Festival the family members gather for the Poojavaippu and Vidyarambham. The children of the family have their Vidyarambham from the elder members in front of our Paredevatha. It is believed thet during the festival of Varanad temple devi pays visit to our Madam and so on this day thera are special poojas for devi offered here. Also during the birthday and other special occasion of the family there will be special poojas and offerings in Madam like Noorum Palum, Talichukoda, Navagraha Pooja etc.

Every year their will be Pratishtavarshika Kalasam which is accompanied by Bhagavatha Sapthaha Yajnam. Our Madam also witness some of the rarest of traditional poojas like Sarpam Pattu, Yakshi Pattu, Gandharvan Pattu and Sastham Pattu. All these are performed after the Kalasam.

During the Sarppam Pattu young girls below 9 years take vritam and they are made to perform the traditional “Kappu Kattal”. Elegant Kalam of Nagaraja and Nagayakshi is drawn and kalam pooja and other special poojas are offered. In the background of Veena and song of Pullonmar these young girls get the blessings of Nagadevathas and this pooja end with the Noorum Palum for Nagadevathas and the Kalam Maykkal. This Vazhipadu is believed to remove the Sarppadosham.

During Gandharvan Pattu there are 3 kalams. Bhasma kalam in the morning Arathakalam at noon and Valiya Kalam in the evening followed by Kalam Pattu. This is performed for pleasing the Gandharvan.

Yakshipattu is yet another Vazhipadu in which there is a bhasmakalam in the morning and Valiya Kalam at night drawn by Kaniyan (a special caste ). After the Kalam Pooja there will be songs sung by Pullonmar with their traditional Veena and by Kaniyan with Chendamelam. It is believed that during this time all the dieties will be pleased and come together to bless the family members. Then there is the Noorum Palum Vazhipadu offered to Nagadevatas followed by Kalam Maykkal. Finally the Valiya Guruthi is performed for Chamundi Devi and the Nada is closed for seven days. During these 7 days nobody go near the Temple Premise after dusk.
These rituals are performed every year during the month of April . All the family members gather in our Madam during this occassion and on all these 10 or 11 days Poojas and rituals there is Prasadam oottu also.

This years ceremonies begins on the 2nd of april 2011 with Aganda Nama Japam and Sastham Pattu followed by Bhagavatha Sapthaha Yajnam from April 3rd to 9th. There will be Pratishta Varshika Kalasam on April 10 th Gandharvan Pattu on April 11 and Yakshi Pattu on April 12th. I welcome all the readers to come and witness this festival rich with the tradition and culture.

Thursday, March 24, 2011

Sreekanteswaram Mahadeva TemplesThiruvanathapuram




Sreekanteswaram Mahadeva TemplesThiruvanathapuram
There are two Sreekanteswaram Mahadeva Temples and are situated at Vanchiyoor in Thiruvanathapuram city. One is called the Pazhaya(old) Sreekanteswaram Temple and the other is called Sreekanteswaram Mahadeva Temple. . The deity of these two temples is dearly called as Sreekanteswaran. The Pazhaya Sreekanteswaram temple is located near to Thampanoor over bridge and S.M.V school on M.G road. We can see the Shiva Lingam worshipped by Lord Parasurama in Pazhaya Sreekanteswaram Temple. There are two seperate Sreekovils for Lord Shiva and Lord Vishnu. Lord Vishnu is also enshrined here along with Lord Shiva on his right side. It was done purposefully to reduce the interminable power of Shiva who dwells here in his fiercest form(Ugra Bhava). Ganapathy, Subrahmanya, Ayyappa, Nagaraja, Hanuman, Nandi, Garuda and Devi are the sub deities. Sreekovil of Vishnu is covered with copper plates. Shivarathry is the main festival in this temple

The new Sreekanteswaram Mahadeva Temple is located to the southwest of the Pazhaya Sreekanteswaram temple. This is a Maha Kshetram with with golden flag staff. The idol here is swayambhoo(surfaced by its own) and was first seen by a woman. The 10 day long annual festival in new Sreekanteswaram Mahadeva Temple begins with a special offering called Panthirunazhi Pooja at Pazhaya Sreekanteswaram Temple. This festival is in the month of Dhanu(December-January) and Arattu is on Thiruvathira day. Ayyappa, Ganapathy, Krishna and Nagaraja are the sub deities. There is an ancient Durga temple in the southern side of Sreekanteswaram temple. The temple pond is infront of the temple and is also called Jathakunda Theertham

Daily poojas begins at 3.30 am. Nirmalya Darsanam in this temple is very famous and it is belived that those who attends the Nirmalya Darsanam for 41 days continuously, will accomplish their wishes with the blessings of Lord Sreekanteswara. 4 poojas are conducted daily. Palabhishekam(pouring of milk) is the main offering. On Sivarathri day 24 hrs Palabhishekom is conducted. Other offerings of the temple are Annadanam(giving free food), Pushpabhishekam, Natesa alankaram(decorating lord Natesa), 108 Kalasam, Mrutyunjaya Homam etc. Ucha Pooja nivedyam is a feast with eight items. This temple is managed by Travancore Devaswom Board.



Wednesday, March 23, 2011

The Attukal Bhagavathy Temple


The Attukal Bhagavathy Temple

Attukal Bhagavathy Temple is popularly described as Sabarimala of the Women, as women form the major portion of devotees. The Goddess in the temple of Attukal is worshipped as the Supreme Mother, creator of all living beings and the mighty preserver as well as destroyer of them all. The pilgrims from all over the country, who visit Sree Padmanabha Swamy Temple and worship the Lord, do not consider their visits complete without the visit to the shrine of the supreme Mother Attukalamma. Vishnumaya took the incarnation of Bhagavathy to annihilate the evil and protect the good in the world in the present Era namely Kaliyuga.

According to mythology, Attukal Bhagavathy is supposed to be the divinised form of Kannaki, the famous heroine of Chilapathikaram, written by Elenkovadikal, the Tamil Poet. The story goes that after the destruction of ancient city of Madurai, Kannaki left the city and reached Kerala via Kanyakumari and on the way to Kodungalloor took a sojourn at Attukal. Kannaki is supposed to be the incarnation of Parvathy, the consort of Paramasiva. The hymns of the "Thottampattu sung during the annual temple festival, are based on the story of Kannaki. Moreover, architectural depictions of Goddess Kannaki seen on the Gopuram temple substantiate this mythology.

The temple structure is a harmonious conglomeration of both Kerala and Tamil styles of architecture. The beautifully carved figures of Mahishasuramarddini, Goddess Kali, Rajarajeswari, Sree Parvathy with Lord Paramasiva and various other depictions of the Goddess in and around the temple are undoubtedly the work of a gifted artist. Equally well presented around the corridors surrounding the temple, are the depiction of various other Gods and the epic stories of the ten incarnations of Lord Vishnu viz., the "Desavathara". On either side of the elegant front gopura - are the icons based on the story of Goddess Kannaki. On the southern Gopura, the puranic story of "Dakshayaga" is depicted in sculptures. The decorated gate at the entrance of the temple is by itself an excellent example of architectural beauty.There are two idols of the Goddess in the sanctum sanctorum. The original idol is preserved in all its pristine beauty covered in ornamental gold embedded with installed stones. The second idol of the Goddess is installed besides the original one. Within the temple corridors are also installed carvings and sculptures of Lord Ganesan, the serpent God and Lord Shiva. At the centre of the Sanctum within the Sreekovil, at a consecrated spot is installed the idol of the Goddess Attukal Bhagavathy emanating light and lustre to all.

The Pongala Mahotsavam is the most important festival of Attukal Bhagavathy Temple. The offering of Pongala is a special temple practice prevalent in the southern part of Kerala and some parts of Tamilnadu. It is a ten-day programme commencing on the Karthika star of the Malayalam month of Makaram-Kumbham (February-March) and closing with the sacrificial offering known as Kuruthitharpanam at night. On the ninth day of the festival the world famous Attukal Pongala Mahotsavam takes place. The entire area of about 5 kilometre radius around temple with premises of houses of people of all caste, creed and religion, open fields, roads, commercial institutions, premises of Government offices etc. emerges as a consecrated ground for observing Pongala rituals for lakhs of women devotees assembling from different parts of Kerala and outside. The ceremony is exclusively confined to women folk and the enormous crowd, which gathers in Thiruvananthapuram on this auspicious day is reminiscent of the Kumbhamela Festival of North India.

Panichikadu Saraswathi Temple


Panichikadu Saraswathi Temple
The Saraswathi Temple in the Panachikadu village of Kottayam district, Kerala is known as Dakshina (Southern) Mookambi. Eventhough many Saraswathi temples perform pooja only during the ' Navarathri period', this temple offers pooja throughout giving ' darshan' to the devotees.

This temple is situated in the panachikadu village 11 kilometers away from the well known Kottayam District Head Quarters of South Kerala. This village resembles the famous Kodajadri,. In the Main Central Road( MC Road), between Kottayam and Changanassery, there is a small village called Chingavanam. Travelling 4 kilometers east from Changavanam one can reach the temple situated in anidyllic and beautiful place.

When we reach the precincts of the temple we see first a “Vishnu temple “.just a few metres south of the Vishnu shrine we can see the ‘saraswathy temple’ in a natural valley with the water dripping and flowing around the idol. The temple does not have the traditional sanctum sanctorum and other pompous structures of the temples elsewhere. There is a rectangular pond like structure as though it has been caved out of a granite hillock. In this pond there grows lush green creeper plants of exquisite beauty. Covered by the creeper the original ‘idol’ of saraswathy remains. Near the original idol of “devi saraswathy”there is another alternate idol on which all the poojas are performed.Two things specially to be noticed here are the creepers and the immaculate spring. The leaves of the creepers which cover the idol are considered saraswathy leaves. The water comes from the spring here flows touching the feet of the “Devi” never dries even in the peak time of summer. Since the devi remains on such a “Saras” (small rivulet) the name saraswathy becomes meaningful. The water required for poojas and other needs are taken from the spring. No well or other water sources are available here.

Above the saraswathy temple on the western side there is a natural habitat made of exotic plants and their fragrant flowers. Here lives the ‘yakshi’ who is atonce fastidious and easily made happy. The idol of ‘brahmarakshasu’ is also installed here. Eventhough there are yakshi shrines in other temples, as well, the power of the yakshi at panachikadu seem to be super. In addition there are idol of Siva, Sastha, Ganapathi, Nagayakshi, Nagaraja and the like sub deities too here.

In the ‘lthihyamala’of kottarathil sankunni there is a detailed description of this temple-this temple having more than one thousand years of history, there are three Brahmin families, kizhupuram,Karunad and kaimukku,asits traditional care takers. From among these illams a respectful Brahmin from the kizhupurathillam disappointed by not getting a male child, took up a journey to Ganges to take holy bath. On the way reaching mookambika he stayed there for a few days praying to the deity there. One day the devi appeared before him and advised him to go back to his native place. She told him that a nampoothiri lady of Karunattillam is now pregnant and that she will deliver two children. One of the children be adopted by him as his own and bring him up. As directed by the devi the next day the devotee took bath, worshipped the devi and returned to his house. In his palm leaf umbrella there was Devi’s blessing and power. When he reached Panachikad,the palm umbrella become stiff without any movement. then holy Godman appeared before him and pronounced that there is devi’s power and blessings in the umbrella. He advised the Brahmin to do poojas and the power of saraswathy be installed in a temple at Panachikadu. An idol which was lying deserted there was seen. The Brahmin was told to incarnate the power of the devi in this old idol which was worshipped by Godman with supernatural power long time ago. Since such Godmen with supernatural powers are not available now an alternate idol was installed in Panachikad.Even today in the temple of the care takers traditional rituals and poojas are performed as of then. The order in which Pooja performed to Mahavishnu, sarawathy, Ganapathy, Siva, Sastha,Yakshii, and Nagaraja. Like the Ganges which touches the feet of Vishnu it is form the feet of Vishnu that the holy water flows to the shrine of Saraswathyi.
Except on the days of ‘Durgashtami’ and ‘Mahanavami’ all other days ‘Vidyarambham’ is performed here. The ghee enriched with; Saraswatha Manthram’ is distributed to devotees from here. The intake of this ghee enriches the intelligence of children for intelligence and education this is considered very good. For saraswathy and Vishnu, yakshi, Rakshas , Shasta, Siva, Ganapathy separate is offering can be made. Everyday early morning PoojaIs performed to saraswathi and Vishnu—for saraswathy ‘Saraswatha Sooktharchana’ and for Vishnu Purusha Sooktharchana’. On the Durgashtami’ Day special ‘Pooja’ is performed for text books, literary works and ‘Thaliola books’ of ancient wisdom. On the ‘Vijayashtami’ day these books are returned to the owners after Pooja.

Tuesday, March 22, 2011

Varanad Devi Temple


Varanad Devi Temple


This sacred temple is located about 3 kms from Cherthala KSRTC Bus stand, towards the northeast. It is an ancient, holy abode of the Devi (Devi Sthana) where the goddess reigns in all splendour, decked with jewels and finery, and safeguards her dear devotees.Having destroyed Darika, the goddess is the Shatrusamhara Murthi (One who destroys the enemies), who is in a terrible form with the Vetala as her vahana(vehicle).
Friday is the most auspicious day at this temple, especially because it is the most favourite day for the presiding deity, Varanad Devi or varanattamma. Kumbha Bharani is the most important festival celebrated here at this famous temple and when this festival falls on a Friday, it is considered most holy. It is believed that devi darsan (seeing the goddess) on this special occasion is sure to grant all desires of the devotee.
The lord of the temple is Shiva, and the other sub deities installed here are Lord Ganesha, Kodumkalee, Kshetrapalan, Rakteswari, Nagarajavu, NagaYakshi, Rakshas, and Arukola.
The Kodiyettu festival here is held in a traditional manner. This festival is a 14day festival. During the festival, there are numerous cultural programme held, the highlight being the presentation of various form of Temple Arts. From the day of Kodiyettu till Arattu, for 13 days, the goddess goesout in procession every day to meet her devotees. Thousands of Niraparas are offered to the goddess. Kumbha Bharani festival, Meena Bharani festival, Makara Bharani festival are all important celebrations here. It is on the Makara Bharani day that women offer Pongala to the Devi every year. Other celebrations here include Navarathri Sangeetotsavam, Mandala Masacharanam, Kalamezhuthum Pattu, Valiyakalam Pooja, Saptaha - Navaha Yajnam, AaanduPirappu, and Pratishta Dinam (day of installation).


Kalamezhuthum Pattu: Is a function usually held at the temple in the Malayalam month of Vrischika, from the 1st day of the month for the following 41 days. In the Pattambalam, the Puthussery Kurup draw the four handed figure of the goddess and worship her with songs and poojas for forty days. On the last day They sing the Bhadrakali sthuthi and erase the Kalam drawn and these procedures are known by the name Kalamezhuthum Pattu.
On the 41st day, the Kalam is drawn in the Mukha Mandapa. On that day, many devotees come to the temple to behold the sixteen handed goddess with weapons in all her hands. That is the only day in fact when the devotees can see the figure of the goddess drawn in its entity (the Purna rupa of the goddess). The essential chaitanya of the goddess is drawn into the holy sword which is kept on the Kalam drawn in the Mukha Mandapa. After the afternoon pooja, it is the time for the Kalam pooja. After this, the sword is taken over to the northern side where the
Valiyakuruthi is to take place.

The Valiyakuruthi is expected to be conducted midnight in the night on the same day. This function is held only once in a year. It is believed that when the head priest executes the Valiyakuruti, the bhutaganas (the deities attending the goddess) run all around the temple yard. After the Kuruti, the sword is taken back to the sanctum sanctorum and the drawn Kalam is erased (Kalam Maykkal). On the following seven days the temple is opened only after dawn and closed before dusk.

Bharani Dershanam :The Bharani in Kumbha(February-March) month is the most important festival day of the. temple. On this day their is special offerings from morning to noon and worship during the time is considered to be auspicious. This Known as Bharani Dershanam .After Bharani dershanam this shrine is closed for th day .

Garudan Thookkam at Varanad Temple:Garudan Thookkam is conducted as an offering to Varanattamma on the day of Kumbha Bharani and it is the most sacred and most favourite offering of the goddess. Besides Garudan Thookkam. OttaThookkam is another important offering. It is compulsory that the first Otta Thookkam should be from the Vayalar area.
After killing Darika, the goddess was in a highly incensed state and reached the zenith of the Raudra Bhava when Lord Shiva tried his best to pacify her. But her anger could be alleviated only with the appearance of Lord Vishnu when she became calm and pleasant. Maha Vishnu sent his mascot Garuda to the goddess to alleviate her anger, pacify her and make her happy for the well being of the world. The joyous Garuda approached Devi with all due orchestral music and related festivities. All along the way he threw fruits and other food stuff to the birds and animals, made them happy and finally on reaching the holy presence of Devi with awe and respect, offered his blood to the goddess. Accepting the offering, Devi is said to have become happy and granted all her devotees their hearts’ desires. It is to commemorate this incident that the goddess’s most favourite offering Garudan Thookkam is held regularly. The Garuda moves round the temple, bows before the goddess and goes back. Sometimes two or more Garudan Thookkam are offered every year.

Vaikom Mahadeva Temple, Kaduthuruthy Mahadeva Temple and Ettumanoor Mahadeva Temple




Vaikom Mahadeva Temple, Kaduthuruthy Mahadeva Temple and Ettumanoor Mahadeva Temple - A Powerful Trisome

Vaikom Mahadeva temple alongwith Ettumanoor Siva Temple, Kaduthuruthy Thaliyil Mahadeva Temple is considered a powerful trisome, The belief is that if a devotee worships at these three temples before 'Ucha pooja', all the wishes are fulfilled.


Origin of the three temples
Kharasura on receiving the Shaiva Vidya Upadesh from Malyavan went to Chidambaram, and did severe penance and Tapasya for the attainment of Moksha. Pleased with his penance Lord Siva granted all the boons he asked, and presented him with three great Siva Lingas drawn out of Him. Assuring that He will ever be present in them, Lord Siva disappeared, asking Khara to worship the Lingas to attain Moksha. When Khara was returning south from Himalayas with the three Lingas, one in his right hand, one in left hand and other by the neck, he felt tired and rested awhile. After rest when he tried to pick up the lingas, they wouldn’t budge. He realized that it was Shiva’s maya and when called unto, the heavens spoke thus, “I shall remain here giving Moksha to whom so ever take refuge in Me”. Khara having attained Moksha entrusted the holy Lingas to the custody of Maharshi Vyaghrapada who had followed him invisibly and asked the sage to protect and worship them.

Belief is that the Siva Linga placed by Khara Asura by his right hand is being worshipped at Vaikom, the one in left hand at Ettumannoor and the one by neck at Kaduthuruthy. The fact that the distance from Vaikom to Kadathuruthy and from there to Ettumanoor is more or less the same, gives credence to this legend. So the Darsana of all these three Lingas on a same day is considered as good as the Siva Darsana at Kailas – the Abode of Lord Shiva.

Vaikom Mahadeva temple

The ancient Sanskrit texts, Bhargava Purana & Sanalkumara Samhita mention this place as Vaiyaghra geham and Vaiyaghra puram. As per legends Vyaghrapada Maharshi got Siva darsana here, so it was fittingly called Vyaghrapadapuram. Later, when Tamil spread, the word Vaiyaghra got transformed as Vaikom.
The temple faces the East. The Sreekovil is round in shape roofed with copper sheets and with two chambers. The Mukha Mandapa - the first chamber is built in shaped stone and single piece woods. The Garbha Griha(Sanctum Santorium) – the second chamber is built completely in stone including the roof in a square shape. There is a Peedhom or platform of about three foot high in the middle of it. On this Peedhom the most Holy, the most famous and the most Noble Siva Linga of SHREE VAIKKATHAPPAN is consecrated. It is of about six feet high made of chaste black stone. The Linga is adorned with Chandrakala (crescent), three eyes, nose and four hands with Saiva abharanams(ornaments) in the form of ‘anky’ in pure gold. (Siva Abharanams are Parasu, Mruga, Varada and Abhaya mudras). Inside the Holy of Holies Oil and ghee lamps are only lighted together with camphor.
The three Bhavas or forms of Vyaghralayesha
It is believed that the ‘Vyaghralayesha’ Siva gives His Blessings to the Devotees in three Bhavas or forms in the morning, noon, and evening in this Holy Temple
In the morning till Pantheeradi Pooja He assumes the form of Sri. Dhakshinamoorthy – the Guru of gurus venerated by all of the Gods, Maharshis, Asuras, Yakshas, Kinnaras, and all living creatures and all worlds. He grants wisdom, knowledge and understanding.
In the noon time upto the Madhyahna Pooja He assumes the Bhava of Kiratha Moorthi who gave Pashupathastra to His noblest devotee Arjuna. Then He grants success in all endeavours and removes all obstacles – ‘Sarvakarya Jayam’ and ‘Sarva Vighnopa Santhi’, to the Bhakthas
In the evening Lord Siva or the Vaikkathappan assumes the Bhava of ‘Shakti Panchakshari’- the benign Lord of Kailas – Jagath Pitha with His consort Jagath Matha Parvathi, sons Ganapathi and Karthikeya all seated in a very happy and gracious mood. Then He grants even all worldy pleasures and all what devotees ask Him.

The most important prasada of VAIKKATHAPPAN is Bhasma –Vibhoothi or Ashes
Today Vaikom is one of the most revered Shiva shrines in South India. Though Vaikkath Asthami is the the better known festival at the temple, it celebrates many other festivals, some of them unique to the temple

Ettumanur Siva Temple

Different from the benign ‘bhava’ of Lord Shiva at Vaikom Mahadeva Temple, Lord Shiva has a fierce face at Ettumanur temple. Though fierce the Lord is easily pleasing towards devotees and splendidly showers benediction. Location wise Ettumanur is at 11 km to the southeast of Kottayam town.
The temple has a circular sanctum covered with a conical copper plated roof crowned with a kalsam. The mukhamandapam in front of the temple bears two images of Nandi, one of stone and another of metal. like other temples in Kerala, the rear of the sanctum is revered as Parvati's shrine. A rectangular circumambulatory passage surrounds the sanctum. The sanctum bears wood carvings of superior workmanship portraying legends from the Ramayana and the Bhagavata puranam. The murals on the western entrance to the temple are awe inspiring especially that of the painting of the dance of Shiva. There are also shrines to Saasta, Ganapati and Dakshinamurthy in the temple
Festivals: The 10 day long festival in the malayala month of Kumbham is the temple's annual festival. On the eigth day of the festival, the processional image of the deity is taken to a specially decorated site in the north east corner of the temple, when thousands throng to visit the shrine. On this day, a unique treasure of the temple (offered by the Maharaja of Travancore) - the seven and a half elephants (ezhara pon aana) representing the eight dik paalakas or the guardians of the cardinal directions are displayed. Seven of these golden elephants are two feet in height while the eighth is a foot high

Kaduthuruthy Thaliyil Mahadeva Temple

The temple is situated mid-way between Vaikom and Ettumanoor. Kaduthuruthy is a small town, the northern and western parts of which are spread over by Vembanattu backwaters. During the tenth century this place was under the administration of Pandya Kings. However, it was divided into Vadakkumkoor and Thekkumkoor. Kaduthuruthy became the headquarters of Vadakkumkoor dynasty. The rulers were the supporters of Zamorins. When Marthanda Varma conquered Vadakkumkoor, he showed respect to the rulers by giving them pensions. Gradually this dynasty was declined and removed from the pages of Kerala history.
As it has been mentioned earlier, when describing the history of the Vaikom temple, Kharasura had got three idols of which the one he took in his mouth, had been placed at Kaduthuruthy, marking the origin of a temple on the top of a small hill. Now this temple comes under the Travancore Devaswom Board.
The Sivalinga of the temple faces to the east. It is the smallest of the three Sivalingas, only 3” tall. The mandapam in front of the shrine has got an array of wood carvings. The story of ‘Karthaveerarjuneeyam' has been carved and displayed here with architectural elegance. About 300 years ago most part of the temple was consumed by fire, but the mandapam, with its splendid carvings, was remained unhurt. While the fire was spreading out, the chief priest clasped the idol at his breast and cried aloud, but the flames of fire had put an end to his life. An idol of this chief priest had been erected at the northern part of the shrine in order to commemorate the event. At the southern side there stands an idol of Sree Ganapathy. Besides, Dharma Sastha, Goddess Durga had also been placed at the temple.
One Vadakkumkoor Rajah used to worship the three deities at Kaduthuruthy, Vaikom and Ettumanoor on the same day but because of his old age he could not continue it. Instead, he made arrangements at Kaduthuruthy temple for the placement of the other two deities also. As a result, Ettumanoorappan was placed at the southern gate and Vaikathappan at the north. So it is believed that the devotees will get the triple benefit by worshipping the deity at the Kaduthuruthy temple
A ceremonial 10 day festival is conducted at the temple every year.







Kottarakkara Ganapathi Temple


Kottarakkara Ganapathi Temple

Kottarakkara Ganapathi Temple is a famous temple for Lord Ganapathi located in Quilon, Kerala. It is one of the oldest and famous pilgrim centres of South India. The fact is this is a Siva temple (Kizhakkekara Siva temple) , but it is not known by the principal deity’s name and known as a Ganapathy temple widely. Moreover, the Ganapathy idol here was not installed according to the tantra rituals. Also the important art form of Kerala having international repute – Kathakali has its origins in Kottarakkara.

Legend has it that it was it was Perumthachan who installed the idol here. Perumthachan, the master craftsman had crafted an idol from the roots of jackfruit tree and had was seeking the permission of the tantri of Padinajarekkara temple to install the idol there. The tantri on the other hand denied permission and that prompted Perumthachan, the craftsman to change his plans. Later having secured the permission of the tantri of Kizhakkekara temple Perumthachan,installed the idol there. He is believe to have studied in detail and found it ideal for the installatiion in south east direction. He felt that it was like kailasa (abode of Lord Shiva).

The main offering (Nivedyam) for Lord Ganesha is the Unniyappam or Koothappam, a food having very sweet and delicious taste. The story behind this offering is that when Perumthachan had asked the head priest what the neyvedyam for Ganapathy will be. The priest suggested unniyappam. It is said that Perumthachan immediately offered half a dozen unniyappams in a plantain leaf before the deity

Monday, March 21, 2011

Harippad Sree Subramanya Swamy Temple


Harippad Sree Subramanya Swamy Temple
Sree Subramanya Swamy Temple is located at Harippad, on the Thiruvananthapuram-Alappuzha highway. The presiding deity is Lord Muruga, known as Subramanya Swamy. It is one of the oldest and important temples in Kerala. Spanning over a hectare of land, the temple architecture gives a fine example of the traditional Kerala style temple.
The temple is one of the oldest and most important temples devoted to Lord Subrahmanya. Popularly known as Dakshina Palani ( Palani of south), the temple continues to attract millions of devotees ever year. It is believed that the temple was established even before the advert of 'Kaliyuga'. This holy shrine is built in the ancient Kerala style architecture. The Subrahmanya idol with four arms is the biggest of its kind.

It is believed that the temple was established even before the advent of ‘Kaliyuga'. This holy shrine is built in the ancient Kerala style architecture. The Subrahmanya idol with four arms is designed after the sculptural pattern of the Buddhist era. The holy gold covered flagstaff is biggest in its kind. The lord of eighteen zones (Karas), people worship lord Subrahmanya (Harigeetha Pureshan) of Haripad irrespective of cast,creed and religion.. This temple enshrines an imposing idol of Subrahmanya said to have been worshipped by Parasurama. The temple has unique rituals and ceremonies .

It is believed to have been originally worshipped by Parasurama. A virtuous man had a dream that there was a wonderful image lying on a river-bed. This was confirmed by astrologers and the image was brought out from the river and enshrined in the present temple.

The temple conducts three festivals annually. They are in the Tamil months of Aavani (August - September), Margazhi (December - January), Chithtrai (April - May), of which the Chithtrai festival is the most important. During the Chithtrai festival, the first day of the Malayalam New Year - Vishu, there is a procession with the golden peacock throne, which attracts scores of people. . Kaartikai Deepam and Thaipooya Mahotsavam are also celebrated here.
Another major attraction is the peacocks in the temple.

Aranmula Sree Parthasarathy Temple



Aranmula Sree Parthasarathy Temple

Aranmula Sree Parthasarathy Temple is one of the most ancient temples of Kerala. The presiding deity is Lord Krishna. The temple is situated on the banks of River Pamba in Aranmula, Pathanamthitta district. It is here that the famous Aranmula boat race is conducted during the time of the Onam festival. The temple has a historic collection of murals by 18th century artists.The Lord Krishna at Aranmula is depicted as Parthasarathi, the divine charioteer. The temple is reckoned among the 108 shrines referred to in the hymns of Alwars as sacred to vaishnavites. It is more popularly associated with the age old water carnival, widely known as the Aranmula Vallomkali or boat race, the most famous among the water festivals held in kerala during the Onam Season.
Aranmula, a beautiful and picturesque village, is about 9km from Chengannur, The temple is situated on the left bank of the pampa river embosomed in the exuberant foliage of majestic trees. The temple is adorned beautifully, with the outer walls and four main towers facing in the four directions. The eastern tower is accessed through a flight of 18 steps. The Pampa River can be approached by descending 57 steps from the northern tower. It is the place from where the sacred jewels of Lord Ayyappa are taken in procession to Sabarimala every year.

Legend has it that the idol which is worshiped at Aranmula had originally been installed at Nilakkal, a few miles to the south of Sabarimala. The Pandava brothers after crowning Parikshit as emperor of Bharat left on a pilgrimage visiting various holy places. In keralaeach brother installed his own ishta devata on the banks of the pampa and nearby places and offered worship. Among them the one at Nilakkal was that of Vishnu installed and worshipped by Arjuna
Nilakkal in those days was forest inhabited by some thousand souls. In course of time it became uninhabitable due to scarcity of water and frequent attacks by Marava marauders. The inhabitants were thus forced to make an exodus and they carried their idol with them. The merciful Lord himself in the guise of a brahmachari wandered along the banks of the Pampa and showed them the place to live in. That was Aranmula. Since the people carried the idol in a raft made of six bamboo pieces the place acquired the name Aranmula (‘aaru’ being six and ‘mula’ meaning bamboo.
Origin of Aranmula Boat Race
There was a Nambudiri Brahmin or Bhattatiri in a house called Mangattillam in Kattoor (literally a village of forests) some 6km east of Aranmula. He was an ardent devotee of Krishna and every month on Thiruvonam asterism he would feed a Brahmin after washing his feet as per custom. Once in the month of Chingom (August-September) he could not get a single Brahmin for the function. Bhattatiri was upset and did not know what to do. Suddenly a Brahmin appeared from nowhere and the much pleased householder conducted the ceremony happily.
He requested the Brahmin to come again for the ceremony next Chingom. But the latter replied that he could be seen at Aranmula temple. He was none other than Hari who revealed himself to the Brahmin in a dream. The next year, Bhattatiri left for Aranmula with 51 paras of rice and all the other materials for the feast and reached the temple in the early hours of Thiruvonam. He also incurred all the expenses for pujas for the day in the temple. The thoni or the boat carrying all these goods to Aranmula is called Thiruvonachilavu thoni. The tradition condinues to this day.
Once, the legend goes, the chieftain of Ayiroor, a nearby village, planned to intercept the traditional boat carrying the materials to Aranmula because the boat was being escorted by the depends of the chieftain’s sworn enemy, the Ranni chieftain. The news spread like wild fire and men from twenty eight Karas decided to thwart the attempt. Fully armed, they escorted the sacred boat in their own chundans or Snake Boats to the temple, thus frustrating the chieftain’s plan.

The custom of snake boats from all nearby localities accompanying the sacred boat, however, came to stay. It was also decided that this ritual should be held not only on thiruvonam day in the month of Chingom but also on Uthrattathi day on which falls the anniversary of the consecration of the idol. This in brief is the story behind this unique water festival which is witnessed every year by thousands coming from far and near.

Vallasadya or feast
Snake boats from thirty Karas from Chennithala in the west to Ranni in the east participate in the Vallomkali. They assemble at the temple ghat from early morning and sil ahead in pairs, the course is about two hours long. This is however not a competitive race like the boat races held at champakulam, payippad, etc. for a trophy or a prize. It is only a traditional repetition of solemn religious custom.
The chundan vallom or snake boat is about 103 feet in length. Its prow is about 5 feet above water level and the stern about 18 feet. In a boat there will be four helmsmen, 100 rowers and 25 singers singing Vanchipattu or boat songs. After the feat there is an elaborate feast in the temple popularly known as vallasadya which is arranged by devotees as offering to the god.





Friday, March 18, 2011

Nalambalam pilgrimage



Nalambalam pilgrimage

Nalambalam pilgrimage is is performed during the month of Karkitaka (July – August) . Visiting nalambalam is considered to be a sacred event during the Malayalam month Karkidakam. Nalambalam consists of temples of brothers Sri Rama, Bharatha, Lakshmana & Sathrughnan. Lord Vishnu’s incarnornations in the Threthayuga are supposed to be most important among the Avathars of the Lord. The Darshan of the four Lords, Sreerama, Lakshmana, Bharatha and Sathrughna, on the same day is called “Nalambalam Darshanam”.
THERE ARE 2 SETS OF NALAMBALAMS:
1. ONE SET COMPRISING OF TRIPRAYAR SREERAMA TEMPLE, KOODALMANIKYAM BHARATA TEMPLE ,MOOZHIKULAM LEKSHMANA PERUMAL TEMPLE AND PAYAMMAL SATRUKNA TEMPLE LOCATED IN TRISSUR DISTRICT.
2. THE SECOND SET OF NALAMBALAM IS LOCATED IN CENTRAL KERALA WHICH CONSISTS OF SREE RAMA SWAMI TEMPLE,RAMAPURAM; SREE LAKSHMANASWAMI TEMPLE, KOODAPPULAM; SREE BHARATA TEMPLE, AMANAKARA ANDSREE SATRUGNA SWAMI TEMPLE,METHIRI LOCATED IN KOTTAYAM DISTRICT.

NALAMBALAM PILGRIMAGE IN TRISSUR DISTRICT

The first temple to be attended is the Thriprayar –where Lord Siva is the deity-see the “Nirmalyam” at 3 AM there, and proceed to Iringalakuda to attend the “usha pooja” at the Koodal Manikya temple where Bharathan –a rare deity in temples is installed, then “Utcha pooja at Moozhikkulam Lekshmana Perumal temple comes as the third, then the fourth and last temple at Payammal Shatrukhna temple to attend “Deeparadhana” there.
The mythology behind Nalambalam Pilgrimage
Bhagawan Sri Krishna had four favorite idols which he worshipped every day which are Lord
Rama, Lord Lakshmana,Lord Bharatha, Lord Shathrukhna.
At the end of “Dwapara yuga” (Sri Krishna knew that the end was near and directed Sri utthavan to install his favorite idols (mentioned above) in suitable places. By the end of Dwapara yuga whole
Mathura was swallowed by the sea but these idols did not sink, they floated over the sea water all together. One Kaimal of Ponnani had a dream about the floating idols and he went to the sea shore. There the fishermen who got the idols handed them over them to him. Sri Kaimal installed them in four different places as per the directions of the astrologers’ advice.
Thriprayar temple at Thriprayar near Thrissur
The idol of Sree Rama was installed at this temple by the side of the river “Thivra” (Thiru purayar) meaning sacred river. One mythology about the temple is related to “Naranathu Bhrandhan” the eccentric philosopher of the old Kerala myths. One stone used for temple rituals (balikallu) was always found loose and unstable. When Naranathu bhrandhan paid a visit to the temple the riddle was brought to him, the eccentric philosopher got it settled after performing special poojas. That stone is still available in the temple premises. It is believed that the idols of the temple in the first time were not installed strictly as per the astrological rules and calculations. It is believed that Naranathu Bhranthan corrected the errors by installing the idols of Mother- Earth and Shree Bhagavathi at both sides of
Sri Rama idol.
The Thrippayar temple does not celebrate a temple festival as in the case of other temples. There are five poojas and three “Sreebali” (sacrifice related rituals) performed in the temple. The temple opens at 3 at the morning and remains open 12 at Noon. After Noon the temple opens at 4 PM and remains open for darshan till “Athazha pooja” at night. Darshan at 3 AM (Nirmalyam) and “Athazha sreebali” are considered very auspicious.
The performing art “koothu” is very much associated with this temple. The Koothu is extended to a twelve day performance. The Koothu performance starts on the first of Vrichika month.(November)
Koodalmanikyam Temple of Iringalakuda Near Thrissur
This is one of the most well known temples in Kerala built before the 15th century. This temple has Lord Bhartha as main deity and hence is a rarity. This temple has got much uniqueness. Once the ruling kings used to install granite slabs with his orders written, in this temple premises, the remnants of these stone slabs are still available. The flowers used for pooja are as usual but thetchi (ixora) and thulasi (ocimum sanctum) etc not grown in the compound. Incense sticks and camphor are not used for the pooja. There are no (chuttambalam)sub deities in this temple. The architecture used for the construction of this temple is typical Kerala style. The temple pond is also unique as but fish no other aquatic creatures are not available. The deity of Koodalmanikyam is considered as the incarnation of “Dhanvanthari moorthi” The saint of healing. Hence many people approach this temple expecting cure of their ailments.
Lekshmana Temple of Thirumoozhikulam
The deity of Lekshmana is also a rarity. It is situated at Moozhikulam between Alwaye and Mala. The Thirumoozhikualam Lekshmana Perumal temple had a superior status and it had a command over the other local temples. The deity of this temple Lakshmanan is said to be kind to those who suffer and the wish of the devotees get fulfilled. Devotees vouch of their wish getting good children by visiting the temple which is also claimed to ail illness of heart. There are idols of Siva as dakshinamoorthi (south side) Ganapati, Sri Raman, Seetha, Hanuman Ayyappa and Bhagavathy in this temple. The idol of Sri Krishna (as goshala Krishnan) is also seen here.
There is an order in visiting the deities of this temple according to which we should, enter through the eastern gate and first visit and pray to the main deity Lakshmana, after praying there then visit Ganapathy, Siva and other deities then come back to Lakshmana to offer a second prayer after the pradikshana visit Ayyappa and Bhagavathy and then Krishna, and final visit to Lakshmana’s steps to offer prayers before returning.
The Shatrukhna Temple of Payyammal
The Payammal temple is about seven kilometers from Iringalakuda Koodalmanikya temple in the Iringalakuda Mathilakam route. Shatrukhna is considered to be the reincarnation of the Sri Chakra in the hands of Mahavishnu.
There are three poojas performed at this temple which opens for darshan early morning closes the door by ten O clock in the morning. The second session starts in the evening and remains open for darshan for “deeparadhana” and “Athazha pooja” and closes at 7PM. A lamp is lighted behind the “sreekovil” which is square in shape and built in granite. Ganapathy is in the southern part (dakshina moorthi).
Ganapathi “homam” is a special offering conducted by the devotees.
Sudharshana Pushpajali and submission of Sudharshana chakram offered at this temple are considered to boost the prosperity of the family members. The five days’ temple festival starts at Pooyam star of the month of Kumbha.(Feb.1 of 2007). The Ramayana month is celebrated with gaiety in the month of Karkitaka (between July and August).

NALAMBALAM PILGRIMAGE IN KOTTAYAM DISTRICT
The four temples of central Kerala, thronged by Hindu devotees during the holy month of Karkitakam are centred round Ramapuram, within a distance of three kilometres. They are Ramapuram Sree Ramaswamy Temple, Koodappulam Sree Lakshmanaswamy Temple, Amanakara Sree Bharathaswamy Temple and Methiri Sree Sathrughnaswamy Temple. These temples together are called the Nalambalam.
The deities here are the four sons of King Dasaratha of Ramayana. Lord Ram, the eldest of them is the eighth avatar (incarnation) of Lord Vishnu, who is the Supreme God of the Hindus. Bharata , second amongst them, is the avatar of the Panchajanya (Conch held by Vishnu) .Lakshmana is the avatar of the Adisesha, the serpent of infinite measures and on whom Lord Vishnu sleeps in the Ocean of Milk. Satrughna (the One who is destroyer of enemies) is the twin bother to Lakshamana and the youngest .He is the avatar of the Sudarshana chakra held by Lord Vishnu.
Legend behind Nalambalam pilgrimage
Sreerama Temple Devasthanam, is said to be more than 1000 years old place of worship. The village got its very name “Ramapuram” after this Temple came into existence, together with the other brothers of Lord Sree Rama, namely Lord Lakshmana, Lord Bharatha, and Lord Sathrughna, that too, within a radius of 6 kms in the same Grama Panchayath, in Kottayam Dist., Kerala.
The Origin of this temple is based on a Legend.
After a long peaceful, beneficial, prosperous rule of AYODHYA, Lord Sreerama did not find mental peace and satisfaction. So, he handed over the kingdom to his sons and left the country, without informing anybody including his most beloved brother Lord Lakshmana.
Sree Rama proceeded towards South, through the old path, which he trekked in search of Sithadevi. At last he reached this beautiful place, with rattling canal on the right side, smiling paddy fields in the rear, surrounded by dense forest. He felt it an ideal place and started his meditation.
As Lakshmana, Bharatha and Sathrughna could not bear the disappearance of their beloved brother any longer, they also left Ayodhya and pursued the path of their brother, believing that their brother would have gone towards South. At last they found him. They said they would also sit near him. So, Lakshmana found at this wounderful land place at Koodapulam, Bharatha at Amanakara and Sathrughna at Methiri, which are equi distant from one another. As years rolled on, four temples rose in each place in their names.
It is the only place of worship or Temple Complex in India, where you can reach the four deities, which exist in a single village at a distance of total 15 kms. These temples situate in Ramapuram Grama Panchayat, in Kottayam District, Kerala State
.

Ambalappuzha SriKrishna Temple

Ambalappuzha SriKrishna Temple

The Ambalappuzha Sri Krishna Temple is believed to have been built in the year AD 790 by the local ruler Chembakasserry Pooradam Thirunal-Devanarayanan Thampuran.
The Ambalapuzha Temple is a typical Kerala style built temple, dedicated to Sree Krishna. Ambalapuzha temple is famous for its temple architecture and the milk porridge- Paalpaayasam. One of the legends connected with the origin of this temple is related to the sage Vilwamangalam Swaamiyaar. Devanarayana Raja surrendered his kingdom to Sreekrishnan after the consecration of Ambalapuzha temple and assumed the name Devanarayanan. The idol at Ambalapuzha is likened to Parthasaarathhi with a whip in the right hand and a Shankhu (sacred conch) in the left. It is also in this temple that 'Pallipana' dance is performed by 'Velans' (sorcerers) once in twelve years.

Architecture of the Temple

The beautiful temple was built in 800 A.D. and the best of the workers were called to design the srchitect of the temple. An idol of Sri Krishna in black granite stone was carved out for installation. The Lord Parthsarathy idol was duly installed in the temple at a propitious time on Thiruvonam day in Mithunam in 1613 A.D.

This temple is directly associated to the Guruvayoor Sri Krishna Temple. The payasam served in the Ambalappuzha Temple is famous among Hindu devotees. This sweet pudding made of rice and milk has an interesting mythological legend behind it

Ambalappuzha Paal Payasam
According to the legend, Lord
Krishna once appeared in the form of a sage in the court of the king who ruled the region and challenged him for a game of chess (or chaturanga). The king being a chess enthusiast himself gladly accepted the invitation. The prize had to be decided before the game and the king asked the sage to choose his prize in case he won. The sage told the king that he had a very modest claim and being a man of few material needs, all he wished was a few grains of rice. The amount of rice itself shall be determined using the chess-board in the following manner. One grain of rice shall be placed in the first square, two grains in the second square, four in the third square, eight in the fourth square and so on. Every square will have double the number of grains of its predecessor.
So the game of chess started and needless to say the king lost the game. It was time to pay the sage his agreed-upon prize. As he started adding grains of rice to the chess board, the king soon realised the true nature of the sage's demands. By the 20th square, the number had reached one million grains of rice and by the 40th square, it became one million million. The royal grainery soon ran out of grains of rice. The king realised that even if he provides all the rice in his kingdom and his adjacent kingdoms, he will never be able to fulfill the promised reward. The number of grains was increasing as a geometric progression .
Upon seeing the dilemma, the sage appeared to the king in his true-form, that of lord
Krishna. He told the King that he did not have to pay the debt immediately but could pay him over time. The king would serve paal-payasam (made of rice) in the temple freely to the pilgrims every day until the debt was paid off.

Festivals
The ten-day annual festival of the Ambalappuzha Sreekrishana temple commences with the Kodiyettu on the Atham day in Malayalam month of Meenam( March-April). On the ninenth day the famous Natakashala Sadya is held . The arattu Ulsavam takes place in Thiruvonam day( tenth day).

Thursday, March 17, 2011

Ochira Parabrahma Temple


Ochira Parabrahma Temple

In Kerala about 32 Km away to the north of Kollam , in Ochira ,there is a temple for the concept of PARABRAHMA. Parabrahma is the conceptual form of God which pervades everywhere and in everything. It is the basis of the philosophical religion of the Vedas. As can be expected, there is no walls or a presiding deity there. It is a 36 acres of open land covered by trees . The pooja or worship is offered to two banyan trees in this land. Some old Kavu (temple ) structures are also there in this land. Normally nothing is offered to this God who himself is nothing. Some earth is offered as Prasada. The festival in this temple is celebrated for 12 days in the month of Vrichigam . People of all castes and religion come and camp in the grounds of the temple. Erupethettam onam is celebrated every year in ochira on the 28th day of the Onamfestival with procession generally known as "Kaala kettu". Normally the day falls in September or October. The 'Ochirakali' and 'Panthrandu Vilakku' are celebrated on the first and second of Malayalam month 'Mithunam'. These two are famous festivals at Ochira temple.Ochira Kali is associated with the battles fought between Kollam and Kayamkulam Rajas. Martial art displays are conducted on the day of the festival. Men, irrespective of age, engage in mock duels, wielding wooden sticks in their hands on a vast ground filled with water up to the knee level.
Many bulls are looked after by this temple
.

Wednesday, March 16, 2011

The Famous Temples in Kerala with Naga Pratishtas

The cult of snake worship in Kerala is closely interwoven with the life of the people of the State and is a component of its rich cultural heritage. Both within the sacred groves and outside snakes are still revered and worshiped with much piety in this State. The stillness within the deep shade of the groves, the feeling of the wilderness provided by the forest-like vegetation, the unique rituals practices and taboos still associated with snakes, the mystery associated with treatment all add on to Naga Worship...

Here is a look into some of the famous temples in Kerala with Naga Pratishtas:

AMEDA TEMPLE
The presiding deity of this temple is Sapthamathrukkal. Sapthamathrukkal means Veerabhadran, Ganapathy, Brahmani, Maheshwari, Kowmari, Vaishnavi, Varahi, Indrani and Chamundi. The very speciality of Ameda temple is the main deity is Saptha Mathrus in the sanctum. Nagaraja and Nagayakshi sanctums are outside. In the western sideNagraja is shrined. In the eastern side Nagayakshi is shrined. In addition Lord Mahavishnu is shrined in the northern side. Lord Mahavishnu was the Kuladevata of Vettathunadu raja, belong to Samoothiri clan. The Illams are to the north of the temple. The temple premises are situated in a vast area of about 10 acres.
The important offerings in the temple are listed below

Karthika Payasam-This is an offering to beget the desired child. It has to be done on 12 karthika days after temple visit.
Palapayasa Homam-This is to be performed only by those who have unknowingly destructed snake dwellings , snakes etc.
Kindi Eriyal and Poovattaka Kamizthal-These too are offerings to beget the desired child.Kindi eriyal is for Jalayakshi and Poovattaka Kamizthal is for Saptha mathrus.
Ayilyam Idi-It is an offering performed by Illams itself for the well being on the Ayilyam day of Kanni, Vrichikam and meenam. The elders using sandal wood lofts grind wetted raw rice in wooden grinder after prayers with Hariyohara. They sprinkle them to their and others heads just like our Asirvadam manner . Devotes too can offer the same with the guidance of the Nampoothiries.

Sarpabali and Ashta naga pooja-The Ameda temple is very famous for Sarpabali. ON SPECIFIED DAYS OF THE MONTH ONLY IT IS CONDUCTED. Advance booking is a must. The sarpabali is to appease the nagas and for Rahu Dosha. First worship is at Nagayakshi and then to Nagaraja during sarpabali.
Pulluvan pattu.-This is an important offering to appease Nagas and get their blessings . In Ameda it is performed by members of the Pulluva families near to the temple and takes about 3-5 minutes singing for a person .
Main offerings:

1. Karthika Pooja : Special archana and Dwadashakshari Pooja done in this occassion.
2. Thrikarthika (Karthika of malayalam month Vrischikam)
3. Bhagavathy seva

4. Guruthy Pooja :- Vaishnavi treated more significant here for this pooja. Its done for starting 12th days of karkidakam month in malayalam calendar.
Festival:

The main festival is conducted during the "Meenam" month (March-April) of Malayalam calendar. Kodiyettu is the beginning of festival on Makayeeram star of malayalam calendar. Ayilya darshanam on Aayilyam star, Uthsava bali on "Makam", Valiya Vilakku or Pallivetta on "Pooram" and " Aarattu" on "Uthram" .

MANNARASALA NAGARAJA TEMPLE
Mannarasala Nagaraja Temple 1 1/2 km north of Haripad Subramanya Temple, Aayilyam in Kanni and Thulam Oct - Nov, are the main festivals and lakhs of devotees gather there. The main offering " Noorum Palum" ( a combination of Turmeric powder, rice powder and mixed with cows milk) is the naivedya for the serpant god. Uruli is the vessel made up of bell metal and it is dedicated in front of the Sreekovil upside down is considered very auspicious, especially the childless couples, who believe they will be blessed with children
It is one of the famous snake adoring temples in Kerala, and is situated in Mannarasala near Haripad, at Alappuzha district. The presiding deities are Vasuki and Nagayakshi (As per Mayashilpa, it is said that Vasuki stands first among nagams. Vasuki is white as a pearl (2) Thakshagan is red (3) Karkodagan is black (4) Pad man is red as a lotus (5) Mahapadman is white (6) Sangapalan is yellow (7) Kulika is red, and all ofthem have two tongues). The idols faces east, and has a height of five feet including the table. Pooja is performed once in a day, and in special days the mother of the Mannarashala Illam performs the poojas and in ordinary days other members of the family performs it. Sub-deities are Sastha, Bhadrakali, Sivan, Ganapathi and Durga. The festival is celebrated on the Ayiliam star day of the Malayalam months of Kanni, Thulam and Kumbham. Those who have been bitten by snakes and inflicted by poison, when they consume the sacred food of this temple consisting of milk and plantain they will vomit the poison that is present in their body. That is the speciality of this temple.


NAGANKULANGARA TEMPLE
This temple is situated in Vayalar, 4 Kms away from Cherthala. The presiding deity of this temple is Naga Yakshi and this temple is second important temple for naga after Mannarsala Naga Temple Eight days festivals is celebrated with an Aarattu which falls on the Thiruvathira star day during the month of Makharam. For incurable illnesses many people come to the Thiru Nagankulangara Temple and pray there for a 41 day mandala. Usually, after the mandala prayer, they are freed of their affliction.

PAMBUMMEKKATTU MANA
Pambummekkattu Mana is the most famous Serpent worship centre in Kerala. The Pambum Mekattu lllam stands in Vadama village, a part of Mukundapuram Taluk in Thrissur District, Kerala. The nearest railway station is Chalakudy. Devotees can reach here by road from any part of Kerala. The believers can take Thrice - Mala route; 3 Km North to Mala stands the Mana west to the main road. The name of the bus stop itself is Makati Junction.
When we reach the pathway in front of Mekkattu Mana, we can see a wall with Figures of Serpents painted on it. When we turn to the north, an arch-shaped entrance inscribed with Serpent figures can be seen. When we go further,thick, tall trees and small temples (Kavu) snatch our attention. Then we reach the entrance. We can enter the 'Sarpakavu' with a pure mind and body to seek the blessings of the serpent Gods. The Serpent Gods Nagaraja (male God) and Naga yakshi (female God) reside in the eastern portion of Mekkattu Mana. The peculiarity is that there are no idols of these Gods, but daily poojas are conducted

VETTIKODE NAGARAJA SWAMI TEMPLE
As per the legend Sree Nagaraja Swami Temple at Vetticode was consecrated by Lord Parasurama. The temple is located near Kayamkulam in Alappuzha district of Kerala It is one amongst the main snake worshipping temples of Kerala. Aadimoolam Vettikode Nagaraja Swamy Temple is situated in Vettikode near Kayamkulam of Alleppey district. The presiding deities are Anantha and N agayakshi. Vaishnavites consider Anantha as Nagaraja and Sivites Vasuki, lying around Siva's neck, as Nagaraja. The temple facing eastward has pooja only at noon. Temple will open in the evening also. In the months of Kanni and Thulam on Pooyam and Ayilyam days Deepm-adhana and Athazhapooja are perform. Thantram is Puthumana. Festival is on Ayilyam star day of Kanni month. Also Ayilyam in Kumbam, Sivarathri, Balabadra Jayanthi in Medam days have special ceremonies.